Marius Panduru, Andrei Butica si Oleg Mutu, pe lista celor mai buni directori de imagine din Europa de Est

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The Calvert Journal, unul dintre cele mai cunoscute site-uri care promoveaza lumea filmului si a fotografiei, a facut un top al celor mai buni directori de imagine din Europa de Est. Printre acestia, se numara si Marius Panduru, Andrei Butica si Oleg Mutu, care au reusit sa faca istorie in cinematografia romaneasca si nu numai.

They are working magic with light, spun cei de la Calvert, care spun ca dupa caderea Uniunii Sovietice, cinematografia estica prinde din ce in ce mai mult contur. Despre cei trei, The Calvert Journal scrie:

Oleg Mutu

Possessing an uncanny eye for composition and colour, combined with his observant yet non-voyeuristic approach, Mutu is now one of Eastern Europe’s most in-demand cinematographers, working with Nana Ekvtimishvili, Cristian Mungiu and Sergei Loznitsa. Mutu’s style is best observed in his work on Mungiu’s 4 Months, 3 Weeks, 2 days where his visuals are seamlessly in sync with the protagonist’s inner lives.

Marius Panduru

One of the most active Romanian cinematographers of the past years, Panduru has worked such directors as Catalin Mitulescu, Radu Jude and Ruxandra Zenide, yet it’s his work with Corneliu Porumboiu that is his most acclaimed, specifically the Un Certain Regard Cannes Jury Prize winner Police Adjective that was shot in Porumboiu’s hometown of Vaslui.

Andrei Butica

Andrei Butica has gone on to become one of Romania’s most promising cinematographers, with his work on Calin Peter Netzer’s Golden Bear-winning Child’s Pose demonstrating his considerable talent. Netzer gave Butica free rein on the lighting and colour correction when making the film and the results are spellbinding. His camera takes in everything, seemingly transfixed by Luminita Gheorghiu’s portrayal of the film’s domineering matriarch Cornelia.



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